Janis Wilson Hughes - The Artist



Janis Hughes

Artist's Statement

My current focus centers around a handful of forms. The first theme is rooted in my long standing interest in bottle forms. These pieces vary from decanters and flasks that hold the spirits that sooth everyday life, olive oil bottles to enhance the cooking experience and bring nourishment, and decorative bottle sets that brighten personal spaces and pose the silent question of what might be inside. The second theme of my focus is purely decorative and sculptural despite being derived from a functional form. My pod forms begin as bowls and are transformed to wall hanging pieces with organic references. My initial interest in the form grew out of childhood memories of stumbling through an overgrown meadow to discover a stand of milkweed bushes laden with rough pods bursting with feathery seeds, and it has evolved to include associations with delicate, pale shells formed deep in clear, Polynesian waters and used by ancient cultures for adornment. These pod sculptures which are equally interesting as solitary pieces or in groups are meant to bring allusions to Mother Nature into the spaces they adorn. My newest design theme is in the form of my voluptuous, undulating Dali pots. These puffy mugs, cups, bottles, and jars look as if they have an undulating belt line wrapped around them several times like a garland on a tree causing bulges to spill over in relaxed folds. Similarly my Punctuated pots use indentions from the outside to accentuate the curves and angles of the forms. These designs invite you to experience the volume of the pot through the outer surface. I intend for these shapely and well nourished forms to cultivate feelings of comfort.

   
The Mark

Signature Mark

On my finished wares, the mark is sometimes carved, sometimes stamped as shown here.

On the simplest level, this mark is a combination of my initials J & H. On a deeper level, my mark intertwines my initials with my zodiac sign of Pisces. The ancient Greek origins of my mark refer to the currents of my personality and soul which each have very different and sometimes conflicting elements that together make me who I am. Sometimes the creative tensions are evident in my work while at other times they are balanced smoothly. This is also a reference to the duality of my training as a scientist and my creative alter ego as a potter.

   

Background

Janis began working with clay after becoming a Chemical Engineer, although she was interested in pottery long before that. Christy Carmichael, a friend from work, urged her to sign up for a class after a long conversation about their dissatisfaction with their jobs and their dreams of having more fulfilling lives. Janis began her studies under Rick McKinney at Fired Earth Pottery in Appleton, Wisconsin that winter many years ago. She was immediately hooked on working with clay and gained further inspiration from Reid Schoonover of Working Man Studio. When Janis moved to the Atlanta area in 2004, part of her criteria for choosing a home was finding one with the right kind of space in which to build her own studio. After the move, she and her husband undertook the labor of love of building the Evolution Stoneware Pottery studio. Janis continued her studies in Georgia with Stewart McDonough, Jillian Higley, Vernon Smith, A.J. Argentina, and Mark Knott.

In 2007, Janis began seriously producing functional pottery and selling through galleries. It was difficult to balance an engineering job with studio time, but it was also exhilarating to be featured in art galleries and exhibitions.

In 2009 Janis left engineering to focus on working with clay. She is currently a full time studio potter and an instructor at the Hudgens Center for the Arts in Duluth, GA.

Copyright © 2005 Evolution Stoneware Pottery, LLC. All Rights Reserved.